Rabu, 23 November 2011

Darkwing Duck, Volume 2

  • It s time to get dangerous with everyone s favorite feather-brained crime fighter, Darkwing Duck. The self-proclaimed terror that flaps in the night is back to keep the streets of St. Canard safe from the weirdest, wackiest flock of criminals ever assembled. Along with daughter Gosalyn and dim but loyal sidekick Launchpad McQuack, Darkwing faces angry Christmas trees, ancient pirates and mutant ca
"Duck Season" takes you into one particular Sunday morning in the lives of two fourteen-year old boys, Flama and Moko. With their neighbor Rita and pizza delivery boy Ulises, they create their own adventures to overcome their boredom. "Duck Season" explores the loneliness of childhood, the effects of divorce and the curious power of love and friendship. Winner of numerous awards, including an unprecedented 11 Ariel Awards, the film was produced by Christian Valdelievre, Lulu Productions and Cinepant! era and executive produced by Jaime Ramos. Warner Independent Pictures and Alfonso Cuaron's Esperanto Films will distribute.The Oregon Daily Emerald, the student newspaper at the University of Oregon, is pleased to bring Duck fans a very special, hard-bound, coffee-table pictorial book. This heirloom quality keepsake book, with foreword by University of Oregon President Richard Lariviere, will feature hundreds of images that capture the amazing 2010 championship season of the Oregon Ducks as seen through the eyes of the University of Oregon s best student journalists. Go Ducks!Who would have thought that an alligator and a duck could be best friends? Bill the Duck and Aldo the Alligator are ruffling feathers and rewriting all the rules with their crazy antics and unusual friendship in Sitting Ducks. Now the entire first season of all their adventures is together in one egg-citing collection, featuring over 5 hours of wild fun and surprises that will have everyone laughing ! their tails off. Come fly with Sitting Ducks. It's guarantee! d to qua ck you up!Ex-Beat Junkie and Dilated Peoples refugee Babu takes the time-honored hip-hop tradition of the master mix and twists it up a bit. A well-traveled and well-respected man, the Los Angeles turntablist is an emcee's DJ who got his start during the early '90s, a fact reflected in Duck Season, Vol. 1's almost lazily nostalgic selection. Overall, the production work reigns supreme over fairly mediocre lyricism. However, the album's old-school feel is strengthened by Babu's tight mixing skills. Not only are the songs well blended, he actually chops things up a bit with a taste of cut 'n' scratch and some nice backspin techniques. Random snippets of dialogue and sound effects tie into the Duck Season theme. New York is repped to full effect by solid cuts from Bumpy Knuckles, M.O.P., and the Beatnuts, while Phil Da Agony and Jurassic 5 hold it down for the West. --Rebecca LevineIt’s time to "get dangerous" with everyone’s favorite! feather-brained crime fighter, Darkwing Duck. The self-proclaimed "terror that flaps in the night" is back to keep the streets of St. Canard safe from the weirdest, wackiest flock of criminals ever assembled. Along with daughter Gosalyn and dim but loyal sidekick Launchpad McQuack, Darkwing faces angry Christmas trees, ancient pirates and mutant cabbages from outer space in his zaniest adventures yet. With three discs packed with hilarious adventures, DARKWING DUCK: VOLUME 2 packs a gaggle of giggles and thrills that fit the bill.

Everybody Loves Raymond: The Series Finale

  • DVD Details: Actors: Ray Romano, Patricia Heaton, Doris Roberts, Brad Garrett, Peter Boyle
  • Writers: Philip Rosenthal
  • Format: Closed-captioned, Color, DVD, Widescreen, NTSC
  • Aspect Ratio: 1.78:1; Number of discs: 1; Studio: HBO Home Video
  • DVD Release Date: May 24, 2005; Run Time: 30 minutes
Romance meets comedy in Woody Allen's first movie musical, and it's a glorious celebration of love that had audiences laughing and critics cheering. In intertwining stories, Joe's (Woody Allen) attempt to win the heart of Von (Julia Roberts) takes him to scenic Venice and Paris, while his ex-wife, Steffi (Goldie Hawn), and her current husband, Bob (Alan Alda), deal with erupting family matters in their swank but crowded Manhattan apartment. In the meantime, Steffi and Bob's daughter, Skylar (Drew Barrymore), is torn between two boyfriends (Edward Norton and Tim Roth), adding t! o the complications. But through it all, Allen's dream cast knows the perfect moment to express their emotions with a classic love song or a hilarious production number. Musical comedy has seldom been played with such wit, humor, and sophistication. Get ready to fall in love with love ... and to sing the praises of EVERYONE SAYS I LOVE YOU!Writer-director Woody Allen has produced yet another challenging and funny film, this time taking on the musical genre and bending it to his own unique vision. The result is one of the most charming films in recent years, as Allen assembles a typically sterling ensemble cast to evoke the romanticism of years past. This time, the large cast (including Alan Alda, Drew Barrymore, Goldie Hawn, Edward Norton, and Tim Roth) not only turn in funny and touching performances, but they sing the classic songs of the 1930s and 1940s themselves, and sing them very well. The plot centers on an extended family in New York and their various romantic enta! nglements, including Allen's pursuit of Julia Roberts through ! the stre ets of Paris and the canals of Venice. The musical numbers are the film's high point, displaying wonderful choreography ranging from a room full of dancing Groucho Marxes to a dancing couple in flight at the banks of the Seine. Everyone Says I Love You is a witty and entertaining fantasy, and a truly romantic escape. --Robert Lane Romance meets comedy in Woody Allen's first movie musical, and it's a glorious celebration of love that had audiences laughing and critics cheering. In intertwining stories, Joe's (Woody Allen) attempt to win the heart of Von (Julia Roberts) takes him to scenic Venice and Paris, while his ex-wife, Steffi (Goldie Hawn), and her current husband, Bob (Alan Alda), deal with erupting family matters in their swank but crowded Manhattan apartment. In the meantime, Steffi and Bob's daughter, Skylar (Drew Barrymore), is torn between two boyfriends (Edward Norton and Tim Roth), adding to the complications. But through it all, Allen's dream cast! knows the perfect moment to express their emotions with a classic love song or a hilarious production number. Musical comedy has seldom been played with such wit, humor, and sophistication. Get ready to fall in love with love ... and to sing the praises of EVERYONE SAYS I LOVE YOU!Writer-director Woody Allen has produced yet another challenging and funny film, this time taking on the musical genre and bending it to his own unique vision. The result is one of the most charming films in recent years, as Allen assembles a typically sterling ensemble cast to evoke the romanticism of years past. This time, the large cast (including Alan Alda, Drew Barrymore, Goldie Hawn, Edward Norton, and Tim Roth) not only turn in funny and touching performances, but they sing the classic songs of the 1930s and 1940s themselves, and sing them very well. The plot centers on an extended family in New York and their various romantic entanglements, including Allen's pursuit of Julia Roberts throu! gh the streets of Paris and the canals of Venice. The musical ! numbers are the film's high point, displaying wonderful choreography ranging from a room full of dancing Groucho Marxes to a dancing couple in flight at the banks of the Seine. Everyone Says I Love You is a witty and entertaining fantasy, and a truly romantic escape. --Robert Lane Writer-director Woody Allen has produced yet another challenging and funny film, this time taking on the musical genre and bending it to his own unique vision. The result is one of the most charming films in recent years, as Allen assembles a typically sterling ensemble cast to evoke the romanticism of years past. This time, the large cast (including Alan Alda, Drew Barrymore, Goldie Hawn, Edward Norton, and Tim Roth) not only turn in funny and touching performances, but they sing the classic songs of the 1930s and 1940s themselves, and sing them very well. The plot centers on an extended family in New York and their various romantic entanglements, including Allen's pursuit of Julia Roberts t! hrough the streets of Paris and the canals of Venice. The musical numbers are the film's high point, displaying wonderful choreography ranging from a room full of dancing Groucho Marxes to a dancing couple in flight at the banks of the Seine. Everyone Says I Love You is a witty and entertaining fantasy, and a truly romantic escape. --Robert Lane Mira Sorvino won an Oscar for her performance as a bubbleheaded hooker and porn star who happens to be the mother of a bright young boy adopted by a Manhattan couple (Woody Allen and Helena Bonham Carter). The story finds Allen's sportswriter character becoming curious about the identity of his son's biological mom, and he strikes up a relationship with her without revealing why. This 27th feature written and directed by Allen is a nice combination of smart comedy and some of the wackier energy of his earliest movies. (Between scenes, there's a running gag involving a Greek chorus--actually filmed among some real Greek! ruins--who do song-and-dance interpretations of the script's ! events.) This isn't Allen at his best, but it is a fine minor work graced by Sorvino's spin on the cinema's archetypal dumb blonde. --Tom KeoghHow do you say goodbye to the show The New York Times called "The sitcom of our times?" Find out as the series bids a fond farewell, delivering the same good cheer and classic humor that has charmed us for nine seasons. DVD includes the series finale plus the original pilot episode of Everybody Loves Raymond which aired on CBS on September 16, 1996!

Harry Potter and the Sorcerer's Stone (Single-Disc Widescreen Edition)

  • In this enchanting film adaptation of J.K. Rowling's delightful bestseller, Harry Potter learns on his 11th birthday that he is the orphaned first son of two powerful wizards and possesses magical powers of his own.At Hogwarts School of Witchcraft and Wizardry, Harry embarks on the adventure of a lifetime. He learns the high-flying sport Quidditch and plays a thrilling game with living chess piece
In this enchanting film adaptation of J.K. Rowling's delightful bestseller, Harry Potter learns on his 11th birthday that he is the orphaned first son of two powerful wizards and possesses magical powers of his own. At Hogwarts School of Witchcraft and Wizardry, Harry embarks on the adventure of a lifetime. He learns the high-flying sport Quidditch and plays a thrilling game with living chess pieces on his way to face a Dark Wizard bent on destroying him. For the most extraordinary adventure, see yo! u on platform nine and three quarters!Here's an event movie that holds up to being an event. This filmed version of Harry Potter and the Sorcerer's Stone, adapted from the wildly popular book by J.K. Rowling, stunningly brings to life Harry Potter's world of Hogwarts, the school for young witches and wizards. The greatest strength of the film comes from its faithfulness to the novel, and this new cinematic world is filled with all the details of Rowling's imagination, thanks to exuberant sets, elaborate costumes, clever makeup and visual effects, and a crème de la crème cast, including Maggie Smith, Richard Harris, Alan Rickman, and more. Especially fine is the interplay between Harry (Daniel Radcliffe) and his schoolmates Ron (Rupert Grint) and Hermione (Emma Watson), as well as his protector, the looming Hagrid (Robbie Coltrane). The second-half adventure--involving the titular sorcerer's stone--doesn't translate perfectly from page to screen, ultimately because ! of the film's fidelity to the novel; this is a case of making ! a movie for the book's fans, as opposed to a transcending film. Writer Steve Kloves and director Chris Columbus keep the spooks in check, making this a true family film, and with its resourceful hero wide-eyed and ready, one can't wait for Harry's return. Ages 8 and up. --Doug Thomas Here's an event movie that holds up to being an event. This filmed version of Harry Potter and the Sorcerer's Stone, adapted from the wildly popular book by J.K. Rowling, stunningly brings to life Harry Potter's world of Hogwarts, the school for young witches and wizards. The greatest strength of the film comes from its faithfulness to the novel, and this new cinematic world is filled with all the details of Rowling's imagination, thanks to exuberant sets, elaborate costumes, clever makeup and visual effects, and a crème de la crème cast, including Maggie Smith, Richard Harris, Alan Rickman, and more. Especially fine is the interplay between Harry (Daniel Radcliffe) and his schoolmates R! on (Rupert Grint) and Hermione (Emma Watson), as well as his protector, the looming Hagrid (Robbie Coltrane). The second-half adventure--involving the titular sorcerer's stone--doesn't translate perfectly from page to screen, ultimately because of the film's fidelity to the novel; this is a case of making a movie for the book's fans, as opposed to a transcending film. Writer Steve Kloves and director Chris Columbus keep the spooks in check, making this a true family film, and with its resourceful hero wide-eyed and ready, one can't wait for Harry's return. Ages 8 and up. --Doug Thomas

Dolphins and Whales 3D: Tribes of the Ocean Poster Movie French 11x17 Daryl Hannah

Big Shot's Funeral : Widescreen Edition

  • Widescreen
World famous film director Don Tyler is surrounded by hundreds of costumed extras in China's fantastic Forbidden City when a creative drought hits and he has no idea where to the camera. Tossed off the picture by his studio boss, Tyler's depression is only relieved by his unlikely friendship with down-on-his-luck cameraman YoYo.

Knowing he's not well, Tyler asks his friend to plan a "comedy funeral" for him where people leave feeling happy, as they do at Chinese funerals of the elderly. When Tyler eventually falls into a coma, YoYo begins the task of granting Tyler's last wish.

However, when the costs of his spectacular funeral spin wildly out of control, can YoYo hold it all together by selling prime ad space at this unique event to be televised around the world? And more importantly for YoYo, can he convince Tyler's lovely assistant Lucy that he isn't just selling Tyler out! to the highest bidder?

That's the world of BIG SHOT'S FUNERAL: a zany, satiric comedy capturing the dizzy excitement and whirlwind change of modern-day China.Eastern religion collides with Western capitalism in Big Shot's Funeral, a satirical comedy about a cameraman named Yoyo (Ge You) hired to shoot a making-of documentary about a world-famous director (Donald Sutherland), who's creating a sequel to Bertolucci's The Last Emperor. When the director has a stroke and goes into a coma, the director's assistant Lucy (Rosamund Kwan) commissions Yoyo to organize the director's funeral. At a loss, Yoyo asks for help from a friend who promotes concerts--and before long the funeral has turned into a vast media spectacle with product placement running amok, so absurd that when the director recovers, he refuses to let Lucy stop the funeral because he's so enchanted. Big Shot's Funeral entertainingly mixes sweetness and dark humor as it interlaces a! romance between Yoyo and Lucy with the escalating madness of! the fun eral. --Bret FetzerEastern religion collides with Western capitalism in Big Shot's Funeral, a satirical comedy about a cameraman named Yoyo (Ge You) hired to shoot a making-of documentary about a world-famous director (Donald Sutherland), who's creating a sequel to Bertolucci's The Last Emperor. When the director has a stroke and goes into a coma, the director's assistant Lucy (Rosamund Kwan) commissions Yoyo to organize the director's funeral. At a loss, Yoyo asks for help from a friend who promotes concerts--and before long the funeral has turned into a vast media spectacle with product placement running amok, so absurd that when the director recovers, he refuses to let Lucy stop the funeral because he's so enchanted. Big Shot's Funeral entertainingly mixes sweetness and dark humor as it interlaces a romance between Yoyo and Lucy with the escalating madness of the funeral. --Bret FetzerDVD-Eastern religion collides with Wester! n capitalism in Big Shot's Funeral, a satirical comedy about a cameraman named Yoyo (Ge You) hired to shoot a making-of documentary about a world-famous director (Donald Sutherland), who's creating a sequel to Bertolucci's The Last Emperor. When the director has a stroke and goes into a coma, the director's assistant Lucy (Rosamund Kwan) commissions Yoyo to organize the director's funeral. At a loss, Yoyo asks for help from a friend who promotes concerts--and before long the funeral has turned into a vast media spectacle with product placement running amok, so absurd that when the director recovers, he refuses to let Lucy stop the funeral because he's so enchanted. Big Shot's Funeral entertainingly mixes sweetness and dark humor as it interlaces a romance between Yoyo and Lucy with the escalating madness of the funeral. --Bret Fetzer

Dust to Glory: An Overview of the Bible with R.C. Sproul Boxed Set

  • 57 23 minute messages on 18 video tapes
  • Old Testament Volumes: Creation & Blessing, The Giving of the Law, The Land and Its People, The Prophets I, The Prophets II, and The Wisdom Books.
  • New Testament Volumes: The Coming of Christ, Jesus' Early Ministry, His Later Ministry, The Early Church, The Growing Church, and The End Times
  • Two boxed slipcovers (9 tapes fit in each)
  • 18 video tapes with individual covers
Don't be surprised if you feel a dry, tickling sensation in the back of your throat after watching the slam-bang racing documentary Dust to Glory. It's probably from the lingering sand and silt spewed from the knobby wheels of an array of machines that skitter from one end of the Baja Peninsula to the other. Using 90 cameras in a variety of formats, director Dana Brown captures the giddy danger of the race with truly visceral force. In 1967, a few Californi! a thrill-seekers had the Eureka spirit to take their homemade race cars for some whooping-up in the wide-open land just a few hours away. Since then, the Baja 1000 has turned into a party-fueled happening that's more akin to Burning Man than the Indy 500. It's billed as the world's longest nonstop race, running point-to-point for 1,000 miles through the Mexican desert from Tijuana to La Paz--pretty much the entire length of Baja.
Dana Brown is the son of Bruce Brown, whose 1966 film The Endless Summer sparked a surfing craze, and still holds up as an incomparable ode to the existential surfing lifestyle. Dust to Glory is by no means so profound and uses more of a Warren Miller thrill-marketing style (he of the annual throwaway extreme-skiing films). Cameras swoop down from helicopters, careen through silt, and are put into tracks over which vehicles pass at extreme speeds. In spite of the adrenaline rush, Dust to Glory is ultimately more about what people think about ! the higher implications of the competition.

From the cre! ators of Step Into Liquid comes this absolutely exhilarating film about the most notorious and dangerous race in the world: the Tecate SCORE Baja 1000. Showcasing Mario Andretti, Robby Gordon, Johnny Campbell and J.N. Roberts, and packed with awesome helicopter footage, in-your-face POV shots and stories of raw courage, Dust to Glory follows a wild assortment of motorcycles, dune buggies, ATV quads and tricked-out trucks in a 32-hour dash across 1,000 miles of unforgiving terrain and delivers such pulse-pounding thrills that you feel like you've been there . Don't be surprised if you feel a dry, tickling sensation in the back of your throat after watching the slam-bang racing documentary Dust to Glory. It's probably from the lingering sand and silt spewed from the knobby wheels of an array of machines that skitter from one end of the Baja Peninsula to the other. Using 90 cameras in a variety of formats, director Dana Brown captures the giddy danger of the race with truly vis! ceral force. In 1967, a few California thrill-seekers had the Eureka spirit to take their homemade race cars for some whooping-up in the wide-open land just a few hours away. Since then, the Baja 1000 has turned into a party-fueled happening that's more akin to Burning Man than the Indy 500. It's billed as the world's longest nonstop race, running point-to-point for 1,000 miles through the Mexican desert from Tijuana to La Paz--pretty much the entire length of Baja.

Dana Brown is the son of Bruce Brown, whose 1966 film The Endless Summer sparked a surfing craze, and still holds up as an incomparable ode to the existential surfing lifestyle. Dust to Glory is by no means so profound and uses more of a Warren Miller thrill-marketing style (he of the annual throwaway extreme-skiing films). Cameras swoop down from helicopters, careen through silt, and are put into tracks over which vehicles pass at extreme speeds. In spite of the adrenaline rush, Dust to Glo! ry is ultimately more about what people think about the hi! gher imp lications of the competition. One veteran finisher describes it this way: "It's like having all 10,000 close calls of your life in one day. It makes regular life feel like slow-motion." --Ted FryJoin Dr. Sproul on a unique study tour as he explores the major themes, events, and people that are brought to life in the Bible. Dust to Glory provides a panorama of biblical truth and a starting point to help you understand the content of the Bible. Dust to Glory can energize your study of the Bible, provide you with new insights, and improve your ability to read, understand, and apply Scripture to your life.

"I believe that Dust to Glory is the most important teaching tool Ligonier has produced. It is our prayer that it will serve you in your desire to grow in the knowledge and love of God. As Christians, we are called to be people of the Word. My hope is that Dust to Glory will encourage, stimulate, and assist you to master the Scriptures so that the Scriptures may! master you."
- Dr. R.C. Sproul

Fifty-seven 23-Minute MessagesStudio: Monterey Home Video Release Date: 09/04/2007 Run time: 88 minutesWritten By: Wes Brown (Editor)

Starring: Bruce Brown (narrator), Larry Berquist, Larry Minor, Parnelli Jones, Malcolm Smith

Directed By: Bruce Brown Thrill to the only motorcycle race footage never before on video from the sport¹s most legendary filmmaker Bruce Brown (the Academy Award ® nominated On Any Sunday), in the second running of one of the most famous off road races in the world, the historic Baja 1000.

Professional racers, movie stars and thrill seekers from around the globe race across the rugged and unforgiving Mexican Baja peninsula. A 1000 miles of punishing desert test man and motorcycle, dune buggies, 4-wheel drive vehicles, and even passenger cars in this exhausting and epic struggle against Baja¹s grueling terrain and against each other. Actor James Garner, racing legend! s Parnelli Jones and Motorcycle Hall of Famer Malcolm Smith al! l took p art in this famous race .

Unearthed from the family vault, with Bruce BrownÅ's all new interviews and commentary, Wes Brown (BruceÅ's grandson) and partner TJ Barrack bring three generations of the Brown family together to showcase the remarkable talent that forever captured the sport¹s legendary riders.

DVD Extras: About the Baja 1000, About the RidersBy strumming his guitar with words of inspiration, Woody Guthrie instilled hope in the hearts of downtrodden Americans everywhere during the 1930s Depression. Now, the extraordinary life of this legendary balladeer and poet is captured in this "elegantly crafted, hugely beautiful and interesting film, which reveals loving integrity in every frame" (Los Angeles Times)! Winner* of two OscarsÂ(r) and starring David Carradine, Bound for Glory features "magnificent cinematography" (New York) and an amazing score adaptation. It's 1936, and the Great Depression is forcing droves of people from the dust bowls of Texa! s to the alluring green fields of California...and unemployed sign-painter Woody Guthrie is among them. Determined to find a better life out west, Guthrie hitchhikes, hops freight trains and sings his way across America, uplifting the spirits of the poor with his homespun wisdom and fiercely fighting for a better life for all. Featuring classic Guthrie tunes including "This Land Is Your Land," this "moving, inspiring" (The Hollywood Reporter) portrait of an American icon is "one of [the] year's most admirable and triumphant surprises" (Los Angeles Times)! *1976: Cinematography, Music (Adaptation Score)Hal Ashby (The Last Detail, Being There) directed this lyrical and affecting 1976 biography of legendary folk singer Woody Guthrie. David Carradine gives a powerful performance as the traveling Depression-era vagabond whose music affected generations. Guthrie is portrayed as an earnest soul whose passion and empathy for the working class spurs him to inspiration! al heights. Ronny Cox (Deliverance, Beverly Hills Co! p) p lays a union organizer who sees the value in Guthrie's words and music and persuades him to put his music to good use for the people struggling to earn a living wage. Featuring Melinda Dillon as Guthrie's wife, this easygoing travelogue conveys an authentic sense of period Americana and won Academy Awards for Haskell Wexler's cinematography as well as for the score based on Guthrie's own music. Bound for Glory is an important film to see for anyone in love with the origins of folk music and interested in its place in the 20th century. --Robert Lane Join Dr. Sproul on a unique study tour as he explores the major themes, events, and people that are brought to life in the Bible. "Dust to Glory" provides a panorama of biblical truth and a starting point to help you understand the content of the Bible. "Dust to Glory" can energize your study of the Bible, provide you with new insights, and improve your ability to read, understand, and apply Scripture to your life. R. C. Sproul is known by clergy and laity for his ability to clearly communicate deep, practical truths from God's Word. Through Ligonier Ministries, R. C.'s goal is to awaken as many people as possible to the holineso fGod by proclaiming, teaching, and defending God's holiness in all its fullness.

Jerry Seinfeld Live on Broadway: I'm Telling You for the Last Time

  • DVD Details: Actors: Jerry Seinfeld, Michael Barryte, Grace Bustos, George Carlin, Alan King
  • Directors: Marty Callner
  • Format: Closed-captioned, Color, DVD, NTSC. Region: Region 1 (U.S. and Canada only)
  • Aspect Ratio: 1.33:1; Number of discs: 1; Studio: HBO Home Video
  • DVD Release Date: September 28, 1999; Run Time: 75 minutes
Jerry Seinfeld is a working stand-up comic again. COMEDIAN is a candidly revealing, intimately observed, and often very funny look at what it takes to be a comedian. On-stage, Jerry delivers his hilarious brand of observational humor. Off-stage, he struggles with difficult material, confronts self-doubt, revels in small successes, and accepts help and support from friends and colleagues, including Colin Quinn, Ray Romano, Chris Rock, Garry Shandling, Jay Leno, and Bill Cosby. COMEDIAN also discovers the sharp wit of rising young comic Orny A! dams -- outspoken, insecure, and fanatical about becoming the "next big thing." What emerge are two fascinating journeys by two contrasting personalities who have some surprising parallels.If you see Comedian expecting a concert film with Jerry Seinfeld, you'll be disappointed. But if you're looking for an incisive--almost surgical--examination of the psyche of a stand-up comedian, this is your movie. Comedian zigzags back and forth between the hugely successful Seinfeld, who's trying to get back to his stand-up roots by developing an entirely new act, and an unknown comic named Orny Adams, whose naked craving for success is almost painful to behold. Adams lays bare his ego to an embarrassing degree; Seinfeld is more subtle but just as revealing about the fears and anxieties that drive him to go back on stage. By following these two through comedy clubs, festivals, and spots on David Letterman's talk show, the documentary cunningly explores how jokes are put t! ogether, the in-the-trenches camaraderie (tinged with competit! ion) of stand-ups, and the sheer existential terror of trying to make people laugh. --Bret FetzerStudio: Uni Dist Corp (music) Release Date: 04/27/2010 Run time: 90 minutesDVD Features:
Biographies
Interactive Menus
Interviews
Other:Audience Q&A
When Seinfeld wrapped up its ninth and final season in the spring of 1998, the popular show's namesake and cocreator decided to offer a symbolic gesture to his fans. Taped for HBO in August 1998, on the final date of Jerry Seinfeld's tour appearances at New York City's Broadhurst Theater, I'm Telling You for the Last Time presents the standup comedian's so-called "final" standup, or at least his final tour with the standup material that made him famous. The video opens with a great prologue in which Seinfeld's old material is literally laid to rest, with many of Seinfeld's comedy colleagues in attendance at the "funeral." (Jay Leno is there, but David Letterman is cons! picuously absent, and while it's a bit self-congratulatory to show Seinfeld's fellow comedians fighting like vultures over his abandoned jokes, it's worth it just to see Garry Shandling pilfering from the catering table like a homeless intruder.)

Whether he's talking about airline flights, cab drivers, or memories of Halloween and an ill-fitting Superman costume, Seinfeld's observational humor is as timeless and sharp as the day he first performed it. Even the most familiar routines (such as the one about pharmacists with a superiority complex) are like old friends who still haven't overstayed their welcome. Seinfeld's delivery is polished to a shine--he's a consummate professional--and an impromptu Q&A with his appreciative audience demonstrates that he's equally adept with a fast and witty comeback. This performance certainly wouldn't be the last we'd see of Jerry Seinfeld, but from the perspective of phenomenal fame and fortune, it's a fitting farewell to the classic! "bits" that took him to the top. --Jeff Shannon

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