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This work was set in Berlin, 1942. When Bruno returns home from school one day, he discovers that his belongings are being packed in crates. His father has received a promotion and the family must move from their home to a new house far far away, where there is no one to play with and nothing to do. A tall fence running alongside stretches as far as the eye can see and cuts him off from the strange people he can see in the distance. But, Bruno longs to be an explorer ! and decides that there must be more to this desolate new place! than wh at meets the eye. While exploring his new environment, he meets another boy whose life and circumstances are very different to his own, and their meeting results in a friendship that has devastating consequences. --This text refers to an out of print or unavailable edition of this title.
The Boy in the Striped Pajamas is now a major motion picture (releasing in November 2008). Enjoy these images from the film, and click the thumbnails to see a larger image in a new browser window.| | | | |
This work was set in Berlin, 1942. When Bruno returns home from school one day, he discovers that his belongings are being packed in crates. His father has received a promotion and the family must move from their home to a new house far far away, where there is no one to play with and nothing to do. A tall fence running alongs! ide stretches as far as the eye can see and cuts him off from the strange people he can see in the distance. But, Bruno longs to be an explorer and decides that there must be more to this desolate new place than what meets the eye. While exploring his new environment, he meets another boy whose life and circumstances are very different to his own, and their meeting results in a friendship that has devastating consequences. --This text refers to an out of print or unavailable edition of this title.
The Boy in the Striped Pajamas is now a major motion picture (releasing in November 2008). Enjoy these images from the film, and click the thumbnails to see a larger image in a new browser window.| | | |
It doesn't happen on a mostly disastrous European tour organized by a well-meaning but inexperienced fan. It doesn't happen when they reunite with British producer Chris Tsangarides (Black Sabbath, Thin Lizzy) but find little interest in the new recording. But Kudlow, despite some bleak moments, is remarkably resilient (of the tour, he says, "Things went drastically wrong. But at least there was a tour for them to go wrong on"). And while it's a sad truth that Anvil just isn't that good--they're nowhere near the level of some of the bands they inspired, like Anthrax and Metallica--only the hardest of heart will resist rooting for them. Bonus material includes deleted scenes and commentary by director (and former roadie) Sacha Gervasi. --Sam GrahamIs Anvil the real Spinal Tap? That's a label that could be applied to any number of hapless hard rock bands, but there's enough evidence! in Anvil: The Story of Anvil to suggest that these guys may have, uh, tapped into the motherlode. The parallels are many, including getting lost on the way to a gig, playing before 174 people in a 10,000 capacity venue (in Transylvania, yet), inept management, ridiculous songs (even Nigel Tufnel and David St. Hubbins couldn't match "Thumb Hang," an Anvil tune about the Spanish Inquisition)⦠heck, they even visit (the real) Stonehenge. But dig deeper and you'll find some real heart in this 2007 documentary. Two hearts, actually--the ones belonging to singer-guitarist Steve "Lips" Kudlow and drummer Robb Reiner (remove one "b" and you've got the director of This Is Spinal Tap). These two were there when the Canadian metal band formed in the early '80s and went on to share festival stages with the likes of Bon Jovi and Whitesnake. Now, a quarter century later (a new bassist and guitarist joined in the '90s), Reiner and Kudlow are in their fifties, living in To! ronto with wives, kids, and menial jobs. But they still haven'! t given up their undying belief that with a new album (their thirteenth) and couple of breaks, they will be rock stars.
It doesn't happen on a mostly disastrous European tour organized by a well-meaning but inexperienced fan. It doesn't happen when they reunite with British producer Chris Tsangarides (Black Sabbath, Thin Lizzy) but find little interest in the new recording. But Kudlow, despite some bleak moments, is remarkably resilient (of the tour, he says, "Things went drastically wrong. But at least there was a tour for them to go wrong on"). And while it's a sad truth that Anvil just isn't that good--they're nowhere near the level of some of the bands they inspired, like Anthrax and Metallica--only the hardest of heart will resist rooting for them. Bonus material includes deleted scenes and commentary by director (and former roadie) Sacha Gervasi. --Sam GrahamIn the early seventies, when Led Zeppelin and Black Sabbath ruled the world, Steve âLipsâ Kudlow an! d Robb Reiner, two young Jewish boys from the northern suburbs of Toronto, vowed to rock together forever. A decade later, their band Anvil released one of the heaviest records in music history, Metal on Metal, which influenced a whole musical generation, including the world-dominating bands Metallica, Slayer, and Anthrax. Yet while these bands went on to sell millions of records, Anvil slipped straight into obscurity.
Was it too much sex and drugs and not enough rock ânâ roll? Was it the menagerie of pets that accompanied them on tour? Their uncanny knack for setting themselves on fire whenever a record company executive was watching? Now, almost thirty years later, like a real-life Spinal Tap, these unlikely musical heroes are still rocking, and still chasing their dream. Written in their own words, Anvil: The Story of Anvil charts the rise, fall, and eventual triumph of two men whose indestructible friendship, talent, and determination took them on a unique journ! ey in the world of rock. A bittersweet and frequently hilariou! s hymn t o the human spirit, played loud in power chords, it is a story of true brotherly love, living the dream, and never giving up.
Praise for the film documentary Anvil: The Story of Anvil:The alien Arcadians always want to fly, not to run. But whatever else she might like to call it, Maeve Cavainna is running. She is chased closely by the infamous bounty hunter, Logan Coldhand, who intends to drag her back to Axis to collect the high price on her head.
When he finally corners Maeve, the long chase seems to be over... until a frightened girl stumbles into the middle of their fight and begs for their protection. Maeve and Logan call a reluctant end to their battle and promise to help the girl, but they have agreed to far more than they know. Can the fragile peace between hunter and mark hold long enough to save the lives that depend on them?The alien Arcadians always want to fly, not to run. But whatever else she might like to call it, Maeve Cavainna is running. Sh! e is chased closely by the infamous bounty hunter, Logan Coldhand, who intends to drag her back to Axis to collect the high price on her head.
When he finally corners Maeve, the long chase seems to be over... until a frightened girl stumbles into the middle of their fight and begs for their protection. Maeve and Logan call a reluctant end to their battle and promise to help the girl, but they have agreed to far more than they know. Can the fragile peace between hunter and mark hold long enough to save the lives that depend on them?Poster to advertise and Anvil Concert in Seattle. One of 300 printed to advertise the show.