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Anne Tyler has taken the edgy, imperfect, exasperating moments of marriage and woven a tapestry of life and its changes in the course of a fifty-year relationship.

The Pulitzer Prize-winning authorâ€" "an immensely gifted writer and a magical prose stylist" (Michiko Kakutani, New York Times)â€"offers his first major work of nonfiction, an autobiographical narrative as inventive, beautiful, and powerful as his acclaimed, award-winning fiction.

A shy manifesto, an impractical handbook, the true story of a fabulist, an entire life in parts and pieces, Manhood for Amateurs is the first sustained work of personal writing from Michael Chabon. In these insightful, provocative, slyly interlinked essays, one of our most brilliant and humane writers presents his autobiography and his vision of life in the way so many of us experience our own lives: ! as a series of reflections, regrets, and reexaminations, each sparked by an encounter, in the present, that holds some legacy of the past.

What does it mean to be a man today? Chabon invokes and interprets and struggles to reinvent for us, with characteristic warmth and lyric wit, the personal and family history that haunts him even asâ€"simply becauseâ€"it goes on being written every day. As a devoted son, as a passionate husband, and above all as the father of four young Americans, Chabon presents his memories of childhood, of his parents' marriage and divorce, of moments of painful adolescent comedy and giddy encounters with the popular art and literature of his own youth, as a theme playedâ€"on different instruments, with a fresh tempo and in a new keyâ€"by the mad quartet of which he now finds himself co-conductor.

At once dazzling, hilarious, and moving, Manhood for Amateurs is destined to become a classic.

"Astonishing . . . Moving . . . ! One of the best books ever written about a sport."
*Walter! Clemons
Newsweek

"A PENETRATING, FASCINATING AND REMARKABLY SUSPENSEFUL NARRATIVE."
*David Guy
Chicago Tribune
In The Amateurs, David Halberstam once again displays the unique brand of reportage, both penetrating and supple, that distinguished his bestselling The Best and the Brightest and October 1964. This time he has taken for his subject the dramatic and special world of amateur rowing. While other athletes are earning fortunes in salaries and-or endorsements, the oarsmen gain fame only with each other and strive without any hope of financial reward.
What drives these men to endure a physical pain known to no other sport? Who are they? Where do they come from? How do they regard themselves and their competitors? What have they sacrificed, and what inner demons have they appeased? In answering these questions, David Halberstam takes as his focus the 1984 single sculls trials in Princeton. The man who wins will gain the right to represent the United State! s in the 84 Olympiad; the losers will then have to struggle further to gain a place in the two- or four-man boats. And even if they succeed, they will have to live with the bitter knowledge that they were not the best, only close to it.
Informative and compelling, The Amateurs combines the vividness of superb sportswriting with the narrative skills of a Pulitzer Prize-winning correspondent.
"RIVETING."
*Christopher Lehmann-Haupt
The New York Times
"[A] MASTERFUL JOB . . . Maintains the suspense to the very last stroke . . . Halberstam makes us care about the four men, their disappointments and the brutal testing of their friendships."
*Dan Levin
Sports IllustratedFrom the inimitable Anne Tyler, a rich and compelling novel about a mismatched marriageâ€"and its consequences, spanning three generations.

They seemed like the perfect coupleâ€"young, good-looking, made for each other. The moment Pauline, a stranger to the Polish Eastern Avenue neig! hborhood of Baltimore (though she lived only twenty minutes aw! ay), wal ked into his motherâ€™s grocery store, Michael was smitten. And in the heat of World War II fervor, they are propelled into a hasty wedding. But they never should have married.

Pauline, impulsive, impractical, tumbles hit-or-miss through life; Michael, plodding, cautious, judgmental, proceeds deliberately. While other young marrieds, equally ignorant at the start, seemed to grow more seasoned, Pauline and Michael remain amateurs. In time their foolish quarrels take their toll. Even when they find themselves, almost thirty years later, loving, instant parents to a little grandson named Pagan, whom they rescue from Haight-Ashbury, they still cannot bridge their deep-rooted differences. Flighty Pauline clings to the notion that the rifts can always be patched. To the unyielding Michael, they become unbearable.

From the sound of the cash register in the old grocery to the counterculture jargon of the sixties, from the miniskirts to the multilayered apparel of lat! er years, Anne Tyler captures the evocative nuances of everyday life during these decades with such telling precision that every page brings smiles of recognition. Throughout, as each of the competing voices bears witness, we are drawn ever more fully into the complex entanglements of family life in this wise, embracing, and deeply perceptive novel.

From the Hardcover edition.Anne Tyler's The Amateur Marriage is not so much a novel as a really long argument. Michael is a good boy from a Polish neighborhood in Baltimore; Pauline is a harum-scarum, bright-cheeked girl who blows into Michael's family's grocery store at the outset of World War II. She appears with a bloodied brow, supported by a gaggle of girlfriends. Michael patches her up, and neither of them are ever the same. Well, not the same as they were before, but pretty much the same as everyone else. After the war, they live over the shop with Michael's mother till they've saved enoug! h to move to the suburbs. There they remain with their three ! children , until the onset of the sixties, when their eldest daughter runs away to San Francisco. Their marriage survives for a while, finally crumbling in the seventies. If this all sounds a tad generic, Tyler's case isn't helped by the characteristics she's given the two spouses. Him: repressed, censorious, quiet. Her: voluble, emotional, romantic. Mars, meet Venus. What marks this couple, though, and what makes them come alive, is their bitter, unproductive, tooth-and-nail fighting. Tyler is exploring the way that ordinary-seeming, prosperous people can survive in emotional poverty for years on end. She gets just right the tricks Michael and Pauline play on themselves in order to stay together: "How many times," Pauline asks herself, "when she was weary of dealing with Michael, had she forced herself to recall the way he'd looked that first day? The slant of his fine cheekbones, the firming of his lips as he pressed the adhesive tape in place on her forehead." Only ! in antogonism do Michael and Pauline find a way to express themselves. --Claire Dederer

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