Kamis, 03 November 2011

OBi110 Voice Service Bridge and VoIP Telephone Adapter

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On the rain-soaked morning of October 1, 2011, the couple hundred protesters camping out in a concrete park in Lower Manhattan and calling themselves Occupy Wall Street were a ragtag army of young rev! olutionary dreamers, whose declared war against corporate greed and appalling income inequality was mostly ignored by the media and struggling to get any traction with America’s battered middle class. By nightfall, the Occupy Wall Street movement had captured the national imagination â€" exploding onto the front page and sparking a wave of protest in all 50 states. This is the remarkable story of the tense few hours that changed everything: “October 1, 2011: The Battle of the Brooklyn Bridge.” In this instant history, you’ll see the dramatic showdown between marchers and a wall of New York Police Department officers, resulting in 700 arrests, through the eyes of the everyday Americans who lived it â€" an idealistic and daring college radical, a salty-tongued retired Vietnam-era lawyer on a quest for social justice, the shy theatrical props manager taking part in his first protest, and many more. “October 1, 2011” goes behind the headlines to show a miscalculatin! g NYPD struggling to protect the status quo, to reveal the imp! robable sparks touching off a new American revolution, and to relive the life-altering choices faced by average citizens trapped inside a police “kettle” as a damp darkness descended on the Brooklyn Bridge. But most importantly, it recasts the Occupy Wall Street movement as a struggle over something even more fundamental than economic injustice: A yearning by ignored and unheard Americans to simply reclaim the public square â€" the battle that came to a head on a Saturday afternoon high atop the most famous bridge in the world.
ABOUT THE AUTHOR
Will Bunch is senior writer for the Philadelphia Daily News â€" where he writes the popular political blog Attytood â€" and a senior fellow with Media Matters for America. He shared the 1992 Pulitzer Prize for spot news reporting in 1992 when he was at New York Newsday. His books include The Backlash: Right-Wing Radicals, High-Def Hucksters and Paranoid Politics in the Age of Obama, and Tear Down This Myth: The Right-Wing Distor! tion of the Reagan Legacy. His articles have also appeared in the New York Times Magazine, The Washington Post, Mother Jones, The Los Angeles Times, American Prospect, American Journalism Review, and elsewhere. He lives in the Philadelphia suburbs with his family.
On the rain-soaked morning of October 1, 2011, the couple hundred protesters camping out in a concrete park in Lower Manhattan and calling themselves Occupy Wall Street were a ragtag army of young revolutionary dreamers, whose declared war against corporate greed and appalling income inequality was mostly ignored by the media and struggling to get any traction with America’s battered middle class. By nightfall, the Occupy Wall Street movement had captured the national imagination â€" exploding onto the front page and sparking a wave of protest in all 50 states. This is the remarkable story of the tense few hours that changed everything: “October 1, 2011: The Battle of the Brooklyn Bridge.” In this insta! nt history, you’ll see the dramatic showdown between marcher! s and a wall of New York Police Department officers, resulting in 700 arrests, through the eyes of the everyday Americans who lived it â€" an idealistic and daring college radical, a salty-tongued retired Vietnam-era lawyer on a quest for social justice, the shy theatrical props manager taking part in his first protest, and many more. “October 1, 2011” goes behind the headlines to show a miscalculating NYPD struggling to protect the status quo, to reveal the improbable sparks touching off a new American revolution, and to relive the life-altering choices faced by average citizens trapped inside a police “kettle” as a damp darkness descended on the Brooklyn Bridge. But most importantly, it recasts the Occupy Wall Street movement as a struggle over something even more fundamental than economic injustice: A yearning by ignored and unheard Americans to simply reclaim the public square â€" the battle that came to a head on a Saturday afternoon high atop the most famous bridge in ! the world.
ABOUT THE AUTHOR
Will Bunch is senior writer for the Philadelphia Daily News â€" where he writes the popular political blog Attytood â€" and a senior fellow with Media Matters for America. He shared the 1992 Pulitzer Prize for spot news reporting in 1992 when he was at New York Newsday. His books include The Backlash: Right-Wing Radicals, High-Def Hucksters and Paranoid Politics in the Age of Obama, and Tear Down This Myth: The Right-Wing Distortion of the Reagan Legacy. His articles have also appeared in the New York Times Magazine, The Washington Post, Mother Jones, The Los Angeles Times, American Prospect, American Journalism Review, and elsewhere. He lives in the Philadelphia suburbs with his family.
Support (technical or warranty) will be provided by the seller from whom you obtain the product.With the OBi110, you are in control of your communications life. From the OBi110's on-board connections to a telephone, your phone line and via the Internet, ! you have the power to bridge mobile, fixed line and Internet p! hone ser vices (VoIP). The OBi provides you with an abundance of control and enhanced convenience. OBi can use the web and social networking tools to bring everything and everybody together to speak freely and even for free! When it makes sense, the OBi110 can use the Internet and OBiTALK between OBi users. In this case, a traditional phone service is never needed to make the connections. Talking becomes truly free. You can put the “social” back into social networking.

Frost/Nixon [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; DTS Surround Sound; Dubbed; Subtitled; Widescreen
From Academy Award-winning director Ron Howard comes the electrifying, untold story behind one of the most unforgettable moments in history. When disgraced President Richard Nixon agreed to an interview with jet-setting television personality, David Frost, he thought he’d found the key to saving his tarnished legacy. But, with a name to make and a reputation to overcome, Frost became one of Nixon’s most formidable adversaries and engaged the leader in a charged battle of wits that changed the face of politics forever. Featuring brilliant portrayals by Frank Langella and Michael Sheen, Frost/Nixon is the fascinating and suspenseful story of truth, accountability, secrets and lies.Sounds like a good match: a historical drama from the author of The Queen, but! with an American subject in the generational wheelhouse of director Ron Howard. And so Peter Morgan's Tony-winning play morphs into a Hollywood movie under the wing of the Apollo 13 guy. Morgan's subject is a curious moment of post-Watergate shakeout: British TV host David Frost's long-form interviews with ex-President Richard Nixon, conducted in 1977. It was a big ratings success at the time, justifying the somewhat controversial decision to cut an enormous check for Nixon's services. The movie adds a mockumentary note to the otherwise straightforward style, having direct-to-camera addresses from various aides to Frost and Nixon (played by the likes of Oliver Platt, Sam Rockwell, and Kevin Bacon); these basically tell us things we already glean from the rest of the movie, adding unnecessary melodrama and upping the stakes. In this curious scheme, the success of Frost's career, which could bellyflop if he doesn't get something worthwhile out of the cagey, long-win! ded Nixon, is given somewhat more weight than the actual revel! ations o f the interviews. Even with these questionable storytelling decisions, there's still the spectacle of two actors going at it hammer and tongs, and on that level the movie offers some heat. Michael Sheen, who played Tony Blair not only in The Queen but also in another Morgan-scripted project, The Deal, is adept at catching David Frost's blow-dried charm, as well as the determination beneath it. Frank Langella's physical performance as Nixon is superb, and he certainly can be a commanding actor, though veteran Nixon-watchers might find that he misses a certain depth of self-pity in the man. Both actors were retained from the original stage production, a rare thing in Hollywood--and probably Howard's best decision of the project. --Robert HortonFrom Academy Award-winning director Ron Howard comes the electrifying, untold story behind one of the most unforgettable moments in history. When disgraced President Richard Nixon agreed to an interview with j! et-setting television personality, David Frost, he thought he’d found the key to saving his tarnished legacy. But, with a name to make and a reputation to overcome, Frost became one of Nixon’s most formidable adversaries and engaged the leader in a charged battle of wits that changed the face of politics forever. Featuring brilliant portrayals by Frank Langella and Michael Sheen, Frost/Nixon is the fascinating and suspenseful story of truth, accountability, secrets and lies.Sounds like a good match: a historical drama from the author of The Queen, but with an American subject in the generational wheelhouse of director Ron Howard. And so Peter Morgan's Tony-winning play morphs into a Hollywood movie under the wing of the Apollo 13 guy. Morgan's subject is a curious moment of post-Watergate shakeout: British TV host David Frost's long-form interviews with ex-President Richard Nixon, conducted in 1977. It was a big ratings success at the time, justifyin! g the somewhat controversial decision to cut an enormous check! for Nix on's services. The movie adds a mockumentary note to the otherwise straightforward style, having direct-to-camera addresses from various aides to Frost and Nixon (played by the likes of Oliver Platt, Sam Rockwell, and Kevin Bacon); these basically tell us things we already glean from the rest of the movie, adding unnecessary melodrama and upping the stakes. In this curious scheme, the success of Frost's career, which could bellyflop if he doesn't get something worthwhile out of the cagey, long-winded Nixon, is given somewhat more weight than the actual revelations of the interviews. Even with these questionable storytelling decisions, there's still the spectacle of two actors going at it hammer and tongs, and on that level the movie offers some heat. Michael Sheen, who played Tony Blair not only in The Queen but also in another Morgan-scripted project, The Deal, is adept at catching David Frost's blow-dried charm, as well as the determination beneath it. Fr! ank Langella's physical performance as Nixon is superb, and he certainly can be a commanding actor, though veteran Nixon-watchers might find that he misses a certain depth of self-pity in the man. Both actors were retained from the original stage production, a rare thing in Hollywood--and probably Howard's best decision of the project. --Robert Horton

All the Boys Love Mandy Lane

Dracula 2000

  • Simon (Miller) is a vampire hunter in training under his apprenticeship.
  • Van Helsing and Simon travel from London to New Orleans to rescue daughter Mary.
  • All items are shipped insured. 7 day money back guarantee.
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  • All DVDs play perfectly. Photos are of the actual dvd you will receive
The master of modern horror, Wes Craven, presents a riveting adaptation of the chilling classic featuring Jennifer Esposito (SUMMER OF SAM), Omar Epps (IN TOO DEEP), Jonny Lee Miller (TRAINSPOTTING), Vitamin C (GET OVER IT), and Jeri Ryan (STAR TREK: VOYAGER). When a team of techno-savvy thieves breaks into a high-security vault, they don't discover priceless artwork ... they find a crypt that hasn't been opened for 100 years! Suddenly, the ancient terror of Dracula is unleashed in the chaotic 21st century. Free to follow his pursuits of seduction and po! wer, Dracula's first destination is America and the exotic city of New Orleans, a place where he feels right at home. Not far behind, however, is a young vampire hunter (Miller) from London, determined to save a young woman (Justine Waddell) with whom Dracula shares his dark legacy!As a director, Wes Craven has been able to infuse his horror movies with humor and some smart, often genuinely creepy, thrills, even on his lowest-budgeted films. As a producer of horror movies, well, his record has been spotty at best. Craven tapped his longtime editor Patrick Lussier to direct Dracula 2000, and the movie ends up with all the good and bad of "a Wes Craven production." A modern-day update of the Dracula legend, the script has some genuinely good ideas. Christopher Plummer (The Insider) takes a relatively juicy role as Van Helsing, owner of an antiques shop specializing in ancient weapons. He takes exception to how his namesake was portrayed in Bram Stoker's classic! novel, which he's more than happy to tell his assistant (Jonn! y Lee Mi ller, "Sick Boy" from Trainspotting) without telling him the whole story. When Omar Epps leads a band of high-tech criminals to break into Van Helsing's high security vault (thinking that with so much security there's got to be something extremely valuable in there), what they end up stealing is the body of Dracula, who of course awakens from his slumber. When the story shifts to New Orleans, where Van Helsing's estranged daughter is working for the local Virgin Megastore (here metaphor is replaced by product placement), Dracula is drawn to her. The undead start to multiply, and the vampire hunt resumes. Another excellent idea deals with a new origin to Dracula, flashing back to biblical times to explain his aversion to silver and crosses. But there is a downside. Under the inept direction of Lussier the movie is never scary, inspiring instead an occasional feeling of pity for the actors. Overall, this a vampire movie for the mind, not the heart. --Andy Spletzer!

New School Wedding Photographer: Skip the Second Shooter / Assistant Role

  • ISBN13: 9781453614433
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
A full-color reference to planning for and executing a successful wedding day shoot

Wedding photography has become a major industry, and the number of photographers getting into this field is rapidly increasingâ€"making it even more competitive. Written by top wedding photographer, Kenny Kim, this full-color reference walks you through all the major (and minor) steps involved in planning and organizing a successful wedding day shoot.

You'll get unique advice on everything from your initial meeting with the engaged couple to the final presentation of the commemorative book. Packed with checklists, schedules, etiquette tips, and much more, this book is an essential wedding photography resour! ce for every wedding photographer.

  • Provides detailed coverage of all the major and minor steps in preparing for a successful wedding day shoot
  • Explores preparation for every detail of taking unique and memorable wedding day photos
  • Spans the initial meeting with the couple all the way to presenting them with their photo album
  • Reassures you of your preparation, using checklists, schedules, etiquette tips, answers to questions, and more

From rings and vows to dancing and "wows", this resource will help you prepare to capture every moment of a couple's special day.A full-color reference to planning for and executing a successful wedding day shoot

Wedding photography has become a major industry, and the number of photographers getting into this field is rapidly increasingâ€"making it even more competitive. Written by top wedding photographer, Kenny Kim, this full-color reference walks you through all the major (and minor) steps involved in! planning and organizing a successful wedding day shoot. You 'll get unique advice on everything from your initial meeting with the engaged couple to the final presentation of the commemorative book. Packed with checklists, schedules, etiquette tips, and much more, this book is an essential wedding photography resource for every wedding photographer.

  • Provides detailed coverage of all the major and minor steps in preparing for a successful wedding day shoot
  • Explores preparation for every detail of taking unique and memorable wedding day photos
  • Spans the initial meeting with the couple all the way to presenting them with their photo album
  • Reassures you of your preparation, using checklists, schedules, etiquette tips, answers to questions, and more

From rings and vows to dancing and "wows", this resource will help you prepare to capture every moment of a couple's special day.

Tips for Engagement Photo Sessions
Amazon! -exclusive content from author Kenny Kim

Along with what I have already mentioned in the book, I want to go more in depth about engagement session. This is not just a time where you take nice photos with your couple for an hour or two. There is more than meets the eye if you execute these elements:

Communicate by Example

During a photoshoot, I see so many photographers (including myself) talking to our clients using “photography lingo”. Beca! use we as photographers constantly talk about it, I think we e! asily ma ke the assumption that others (including our clients) understand the same terms. Often times they might be just too nice to ask what we exactly mean. Or they just brush it off as it is no big deal. But a good way to communicate to your clients during a shoot is to show by example. Rather than shouting out “hold out that arm!” show them which arm and how to do it. Ask them to mirror your movement and let them know that you would not make them do things that you would not do yourself.

When I did my engagement session in Italy with Italian models, I had the difficulty of overcoming the language barrier. It was frustrating not being able to explain to them in words what I wanted them to do. So I had to resort to communicating by example. Using eye contact and body language, I was able to get them to do the things I want them to do. You are also educating your clients by showing examples of what you want them to do. As the shoot goes on, you will have to coach the! m less and less as they start to feel more comfortable. In almost all my engagement sessions, towards the middle or end of the session, I let them come up with their own poses and just make minor adjustments as they do.



Communicate Using the Right Words
Make sure that your words are clear so that anyone can understand it. During a photo shoot with my recent clients Dan & Joanne, I kept asking Dan to “Squeeze!” What I really wanted Dan to do was the embrace Joanne tightly because usually that lets out a laughter and/or a fun reaction from the girl. Every time I said “squeeze,” Dan just smiled at Joanne resulting in some fun moments captured. But half way into our shoot, when I ye! lled “Squeeze” again he stopped, looked at me and said: â€! œKenny, what do you mean by squeeze?” We both laughed as I realized that I did not communicate with him properly. Once I explained to him my reasoning, he understood the concept and did it without even me saying it to him through out the rest of the session!


Be Bold and Creative
Do not let small road blocks get in the way of capturing the right moment. When you get stuck in a situation, you can always find an alternate solution. Sometimes that means doing someth! ing daring or out of the ordinary. And it may not always work, but your clients will appreciate the effort you made to get a certain shot. When you get excited about your photography, your clients will too and will even risk a bit of embarrassment to get the shot that you/they want. So next time you shoot, try to push yourself more to do something different. Here is an example:

Shaun attended University of Chicago and really liked the Rockefeller Chapel on campus. He requested I take a few photos inside. So we walked over there only to discover that there was some kind of a service/meeting going on inside. The sanctuary was packed with people. Shaun and Joy were little disappointed but I did not want them to feel that way on their engagement session. I am a firm believer that when “life gives you lemons, you make lemonade out of it.” So I looked around for a bit trying to see if I can think of an alternate solution. Bing! (That’s the sound of light bulb turnin! g on inside my head). Then, I asked Shaun and Joy if they donâ! €™t mind being little bit adventurous. I think they liked the idea of that. I had found a small pathway between the church wall and the pews. I knew we could not communicate verbally since there was a service going on. So I asked them to go over to a specific spot and come up with their own pose (I’ve instructed them on several poses during the shoot up to this point so I knew they would deliver). To give you an idea of what the setting was actually like, I took the next photo to show the risk that my clients was willing to take to get the shot above:

At first they were a bit nervous about standing there posing and kept looking over to the congregation. I thought I placed them at just at the last row of where people were sitting to be inconspicuous. After I had taken the shot, I walked over to them only to realize what was going on. Where they were standing was not actually the last row! There were several more rows of people right next to them and they were all staring at! them smiling while they posed! I can only imagine how nerve wracking it was for Shaun & Joy! But I’m so proud of my clients â€" they stuck with it, ignored the congregation and posed as I asked them to. As a result we came up with a great photo and a fun story to share for lifetime.


Get Creative
In my book, I briefly talked about how I like to stay inspired through magazines and watching movies. It’s a great way to relax and get creative at the same time. For example, I always found this movie poster to be fun & creative. So, using this concept, I came up with my own signature shot called “Double take”. This effect can be achieved simply by having one subject still while the other walks behind them. I as a photographer also stand still and taking multiple shots of the same scene. Then I take these images and select the ones that I think will work and bring them into Adobe Photoshop where I place them on multiple layers and then blend t! hem together using layer-masking and brush away the areas that! I do no t need. The point of this lesson is not to teach you to do the same thing that I do but to come up with your own creative ideas for your shoot. You have so many things around you that will inspire you â€" so take a moment, pause from your work and enjoy life. Let your inspiration come to you naturally as you engage in other things in life.


Photos from Author Kenny Kim


Get close!
It is important to capture the dynamics of the couple. Capturing their emotion that comes out only when they are close together is very important. To achieve this, I use a zoom lens and take a few steps back to give them some space. I use the zoom to close in on them then wait for the right moment. I shoot everything in color first but like to convert some of them to B&W. Removing all the colors allows you to focus in on the subject more and not get distracted by variety of colors.

Shot specification: Canon Mark 1d IV / F5.6 1/250sec. ISO 400 /WB: Cloud / Canon L 70-200mm f2.8 lens zoomed to 170mm.


Keep the Camera Rolling!
! It is important to capture the posed shots. But don’t just! stop. K eep your camera up and ready to fire even after you are finished with your posed photo. Sometimes the unexpected things like this can happen or often times Couple’s true emotion comes out after they are done being posed. In many of my shoots, I purposely pose my couple just so that I capture their reaction right afterwards. Those are the genuine moments that show who they really are as a couple.

Shot specification: Canon Mark 1d III / F4.0 1/250sec. ISO 100 /WB: Daylight / Canon L 24-70mm f2.8 lens zoomed to 70mm.


See the Bigger Picture
Sometimes you need to step back and see the entire picture. While the bridesmaids were spending the last minute before the ceremony in prayer, I took a few shots of that then quietly removed myself so that the bride can share the intimate moment together one last time with her! closest friends. It was not until I stepped back and was getting ready to exit the room when I saw this moment. It is important to focus on the details but you need to be aware of your surroundings to see the big picture. Try this at your next wedding: shoot with both eyes open â€" one looking through your viewfinder and the other eye looking around. You’ll be surprised at so many moments that go unnoticed.

Shot specification: Canon Mark 1d III / F2.8 1/200sec. ISO 1000 /WB: Fluorescent / Canon L 16-35mm f2.8 lens zoomed to 28mm.

Hey all, this book is 120 pages of blog-ish content. It is for beginner photographers looking to get into the wedding industry. If you already have a website, and have shot a few weddings, it's probably not the right book for you. If you're sitting at square one right now, and looking for a suggested direction, and a few short cuts along the way, this is more up your alley.

If the! $20 you spend here helps book a wedding in the future, it's e! asily pa id for itself.

It is not a guide to overnight success.
There is a lot of hard work that goes into something as life changing as a new work-for-yourself career.

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Social media is changing the face of wedding photography. It's now even easier to get up and running with a little help from Facebook and Twitter.

It's all about laying the proper groundwork for a business that will make you happy in the future. This book will help you create a business that targets couples that you really get along with, and have fun with.
Beyond that, it's about creating your ideal lifestyle, as well as portfolio - and using social media (Facebook, Twitter, Blogs, Etc) to help grow your business.

This is the book to read if you're just getting started as a wedding photographer. It details the steps I took to go from 0 weddings one season, to 37 weddings the next year and 47 the year following.
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It is broken up into the following sections:

Part 1: Getting Up and Running (FAST!)
Detailed advice on how to set yourself up for success in the future.

Part 2: Shooting
Walk through a wedding day, and remove some uncertainty from the days events. Another perspective on how to professionally photograph a wedding

Part 3: Two Day Workflow
Don't spend all of your time managing behind the scenes activities, and regain some of your life freedom

Part 4: A Few More Advanced Topics
General information about how to keep your business growing.

Part 5: Advanced Social Media and Online Marketing
Book more weddings by getting smart on the web.


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New School Wedding Photographer is written from my experience, and contains information about how I would suggest starting a wedding photography business righ! t now.

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