Kamis, 10 November 2011

Four Rooms

I Think Everybody Should Like Everybody - Fine Art Print - 35.5x28cm - Art247.com Poster Print

  • Fine Art Print
  • 35.5x28cm
A widower who realized his only connection to his family was through his wife sets off on an impromptu road trip to reunite with each of his grown children. Studio: Buena Vista Home Video Release Date: 02/23/2010 Starring: Robert De Niro Kate Beckinsale Run time: 100 minutes Rating: Pg13 Director: Kirk JonesOne thing Robert De Niro can't be accused of is avoiding a challenge. Everybody's Fine obliges this respected actor, who made his bones playing dangerous, volatile men, to portray a low-key retiree named Frank Goode. Frank's wife has died, and since she alone kept them in touch with their four grown offspring, now scattered around the country, he's doubly cut off from family. When the Goode kids all find excuses to skip a planned reunion, Frank hauls out his suitcase and boards Amtrak with the intention of dropping in on each of them: the tig! htly wound Chicago ad exec (Kate Beckinsale), the Denver musician (Sam Rockwell) who's supposedly a symphony conductor, the sweet Vegas showgirl (Drew Barrymore), and the Greenwich Village artist son who's nowhere to be found. That son remains offscreen for the duration, and his portentous absence has the unintended effect of emphasizing what a hollow enterprise Everybody's Fine is. Don't blame the cast, who do yeoman work trying to define their long-unsatisfactory relationship as parent and children. None of the kids hate Dad; they just never found a measure of comfort with him, so now everybody, far from being fine, is living one fiction or another to keep it mellow. For his part, Frank suffers from an undefined illness brought on by his life's work making insulation for phone wires; and lo, throughout his journey we're urged to notice telephone cables slipping by outside the train or bus window--lines of communication!--even as the siblings are warily m! onitoring Dad's progress by cell phone. Writer-director Kirk J! ones onc e made an ersatz-Irish movie, Waking Ned Devine (1997), that vulgarized ethnicity in the interests of cheap laughs and patronizing sentimentality. In Everybody's Fine Jones manages the neat trick of vulgarizing delicacy. The movie wants to pass for a sensitive meditation on the white lies people tell one another and themselves. But it so reeks of bad faith and calculation that the message isn't worth delivering. --Richard T. Jameson

Stills from Everybody's Fine (Click for larger image)
   


Robert DeNiro leads an acclaimed all-star cast- Drew Barrymore, Kate Beckinsale and Sam Rockwell- in Everybody's Fine, the heartwarming film that will move you to laughter and tears. When Frank Goode's (DeNiro) grown children cancel a family reunion, the recent widower sets off on a cross country journey to reconnect with each of the! m. Expecting to share in the joys of their happy, successful l! ives, hi s surprise visits reveal a picture that's far from perfect. A family seperated by physical and emotional distance finds a way to come together in a story that will touch your heart.One thing Robert De Niro can't be accused of is avoiding a challenge. Everybody's Fine obliges this respected actor, who made his bones playing dangerous, volatile men, to portray a low-key retiree named Frank Goode. Frank's wife has died, and since she alone kept them in touch with their four grown offspring, now scattered around the country, he's doubly cut off from family. When the Goode kids all find excuses to skip a planned reunion, Frank hauls out his suitcase and boards Amtrak with the intention of dropping in on each of them: the tightly wound Chicago ad exec (Kate Beckinsale), the Denver musician (Sam Rockwell) who's supposedly a symphony conductor, the sweet Vegas showgirl (Drew Barrymore), and the Greenwich Village artist son who's nowhere to be found. That son remains offscreen! for the duration, and his portentous absence has the unintended effect of emphasizing what a hollow enterprise Everybody's Fine is. Don't blame the cast, who do yeoman work trying to define their long-unsatisfactory relationship as parent and children. None of the kids hate Dad; they just never found a measure of comfort with him, so now everybody, far from being fine, is living one fiction or another to keep it mellow. For his part, Frank suffers from an undefined illness brought on by his life's work making insulation for phone wires; and lo, throughout his journey we're urged to notice telephone cables slipping by outside the train or bus window--lines of communication!--even as the siblings are warily monitoring Dad's progress by cell phone. Writer-director Kirk Jones once made an ersatz-Irish movie, Waking Ned Devine (1997), that vulgarized ethnicity in the interests of cheap laughs and patronizing sentimentality. In Everybody's Fine Jones ! manages the neat trick of vulgarizing delicacy. The movie want! s to pas s for a sensitive meditation on the white lies people tell one another and themselves. But it so reeks of bad faith and calculation that the message isn't worth delivering. --Richard T. JamesonOriginal soundtrack to the 2009 holiday film composed by Academy Award-winner David Marianelli. Everybody's Fine, a remake of Giuseppe Tornatore's Stanno Tutti Bene, follows a widower (Robert De Niro) who embarks on an impromptu road trip to reconnect with each of his grown children (Drew Barrymore, Kate Beckinsale, and Sam Rockwell) only to discover that their lives are far from picture perfect. At the heart of Everybody's Fine is the theme of family and physical and emotional distances traveled to bring the members back together.John Schlesinger Award - Best Debut Feature Film Director - Honorable Mention - Palm Springs International Film Festival

Gold Award - Worldfest Houston

Official Selection - Toronto, London, Philadelphia, Vancouver, Cleveland Film Festivals

"...th! is film is an idiosyncratic charmer - and a lot more." - Los Angeles Times

"...never lacks energy or surprise." - Washington Post

As customers weave in and out of his upscale salon, only Xen (Rehaan Engineer) knows how much their cheerful outward chatter belies their inner turmoil, spitefulness and secrets. A talented hairstylist with an unusual gift, Xen can hear his clients’ inner thoughts as soon as he starts cutting their hair and instantly knows the truth about their often desperate lives. While Xen uses his telepathy to help his clients when he can, he is ironically unable to help himself in his lonely, solitary life - until the day sexy, lively Niki enters his world - and he learns that private agony can incite dark and deadly acts.

approx. 103 mins. col.Andy Warhol I Think Everybody Should Like Everybody Quote Art Print Poster - 11x14

Bruce Almighty (Widescreen Edition)

Lackawanna Blues

  • Based on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational story of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is
DOWN IN THE DELTA brings together an outstanding cast of stars in an uplifting story of family, community, and friendship! In a desperate attempt to change her life, Loretta (Alfre Woodard -- STAR TREK: FIRST CONTACT, MUMFORD) -- a troubled single mother from a tough Chicago neighborhood -- is sent to spend a summer in her family's ancestral home in rural Mississippi. In "The Delta," with the support and widsom of her hardworking Uncle Earl, Loretta finally begins to see a way to provide for her youn! g children and reverse the downward slide of her life. A heartwarming, critically acclaimed motion picture also starring Wesley Snipes (BLADE, U.S. MARSHALS) and Loretta Devine (WAITING TO EXHALE) -- share in this remarkable journey to discover the strength of a family's roots and the power of unconditional love!This family drama begins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother! . Wesley Snipes takes a break from his action career to do som! e acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsThis family drama begins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from ! his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsDown In The Delta brings together an outstanding cast of stars in an uplifting story of family, community and friendship.
In a desperate attempt to change her life, Loretta (Alfre Woodard, The Family That Preys)â€"a troubled single mother from a tough Chicago neighborhoodâ€"is sent to spend a summer at her family's ancestral home in rural Mississippi. In "The Delta," with the support and wisdom of her hardworking uncle Earl, Loretta finally begins to see a way to provide for her young children and reverse the downward slide of her life. Also starring Loretta Devine (TV's Grey's Anatomy) and Wesley Snipes (Brooklyn! 's Finest).This family drama begins in a gritty Chicago ne! ighborho od with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimberly HeinrichsThis family drama be! gins in a gritty Chicago neighborhood with a jobless, hopeless mother (Alfre Woodard) pouring her efforts into the bottle and various drugs rather than her troubled daughter and wise-beyond-his-years son. But the movie soon heads south, as the title suggests, when Mom and kids are sent to live with an uncle for the summer. Their lives change, of course, but that's the only predictable aspect of this 107-minute film. First-time director Maya Angelou brings her poetic sense to Myron Goble's elegant script, and the performances are uniformly excellent, most notably the always superb Woodard, Al Freeman Jr. as her uncle, and Mary Alice as her mother. Wesley Snipes takes a break from his action career to do some acting as Freeman's son, and the late Esther Rolle is haunting in the last portrayal of her career. The film's touch of mystery is provided by one of its most devastating characters, a candelabra called Nathan. Rated PG-13, but suitable for ages 8 and older. --Kimber! ly HeinrichsEVE'S BAYOU (SIGNATURE SERIES) - DVD MovieActr! ess Kasi Lemmons made an auspicious debut as a writer and director with this delicately handled, wrenchingly emotional drama, hailed by critic Roger Ebert as one of the best films of 1997. Eve's Bayou begins with ominous narration: "The summer I killed my father, I was 10 years old." From that point the story moves backward in time and memory to Louisiana in 1962, when a young girl named Eve (Jurnee Smollett) witnesses a shocking act on the part of her womanizing father (Samuel L. Jackson). But what really happened? And can Eve be certain about what she saw when there is more than one interpretation of the facts? Less a mystery than a study of deeply rooted emotions rising to the surface to affect an entire family, the film has the quality of classic Southern literature, with layers of memory unfolding to reveal a carefully guarded truth. --Jeff ShannonBased on the award winning play by Ruben Santiago-Hudson, this poignant and colorful drama tells the inspirational sto! ry of a courageous woman, Nanny, whose spirit and strength served as the foundation for a struggling community trying to survive during the segregation era. Starring an exceptional ensemble cast led by Jimmy Smits, Rosie Perez, and Macy Gray, this inspiring drama from HBO Films is a celebration of the good things in life, no matter how tough times may be.

DVD Features:
Audio Commentary:Audio Commentary with director George C. Wolfe and writer Ruben Santiago-Hudson
Deleted Scenes
Featurette

Cool music, a wonderful atmospheric feel, and first-rate performances by a stellar cast distinguish Lackawanna Blues, a 2005, 90-minute film originally broadcast by HBO. Director George C. Wolfe's theater background (as a writer and/or director he's been responsible for The Colored Museum, Jelly's Last Jam, and Bring in Da Noise, Bring in Da Funk) is apparent; adapted by scriptwriter Ruben Santiago-Hudson from his! own autobiographical play, Lackawanna Blues is less a ! story th an a reminiscence, told by a young man (an affecting performance by Marcus Carl Franklin) raised by the indefatigable Rachel "Nanny" Crosby (an equally fine turn by S. Epatha Merkerson, known to many from her role in TV's Law & Order) in that upstate New York town. The focus is on Nanny's rooming house, which is populated by all manner of colorful characters (played by the likes of Macy Gray, Jeffrey Wright, and many others, with Jimmy Smits and Carmen Ejogo as the boy's wayward parents). The roomers include drunks, hustlers, ex-cons, and other shady types, but while plenty of bad stuff goes on, it's all coated with a certain patina of sentiment that tends to minimize the hard realities of life for African Americans in the early 1960s. That's fine; Wolfe, with the help of some superb editing by Brian Kates, gives the film such a delightful period vibe that it's easy to overlook its few shortcomings. The music (available on a soundtrack CD), ranging from downhom! e country blues to uptown swing, jump blues, and more, also makes a major contribution to the delightful diversion that is Lackawanna Blues. --Sam Graham

Garmin Portable Friction Mount - Frustration Free Packaging

  • Ships in Amazon Frustration-Free Packaging
  • Four-arm shape conforms to your dashboard
  • Attachment arm connects directly to your GPS
  • Compatible with nüvi series GPS navigators and StreetPilot C5XX series
  • One-year limited warranty

A wheel turns because of its encounter with the surface of the road; spinning in the air it goes nowhere. Rubbing two sticks together produces heat and light; one stick alone is just a stick. In both cases, it is friction that produces movement, action, effect. Challenging the widespread view that globalization invariably signifies a "clash" of cultures, anthropologist Anna Tsing here develops friction in its place as a metaphor for the diverse and conflicting social interactions that make up our contemporary world.

She focuses on one particular "zone of awkward engagement"--the rainforests of Indonesia--where in the 1980s and ! the 1990s capitalist interests increasingly reshaped the landscape not so much through corporate design as through awkward chains of legal and illegal entrepreneurs that wrested the land from previous claimants, creating resources for distant markets. In response, environmental movements arose to defend the rainforests and the communities of people who live in them. Not confined to a village, a province, or a nation, the social drama of the Indonesian rainforest includes local and national environmentalists, international science, North American investors, advocates for Brazilian rubber tappers, UN funding agencies, mountaineers, village elders, and urban students, among others--all combining in unpredictable, messy misunderstandings, but misunderstandings that sometimes work out.

Providing a portfolio of methods to study global interconnections, Tsing shows how curious and creative cultural differences are in the grip of worldly encounter, and how much is overlooked ! in contemporary theories of the global.

From friendly dolph! ins to g iant pandas, from icebergs and glaciers to energy from the sun, from magnets to solids, liquids, and gases, Rookie Read-About Science is a natural addition to the primary-grade classroom with books that cover every part of the science curricula. Includes: animals, nature, scientific principles, the environment, weather, and much more!

For five years, Friction has been providing readers with the best gay erotic fiction published each year. Now we bring together the best stories from this monumental series into one volume.

Jesse Grant is a writer and editor. He edited Men for All Seasons and has been the co-editor of the Friction series since the second volume.

Ships in Amazon Frustration-Free Packaging Four-arm shape conforms to your dashboard Attachment arm connects directly to your GPS Compatible with nvi series GPS navigators and StreetPilot C5XX series One-year limited warrantyGarmin and Amazon.com have teamed up to offer this ! item in Amazon Frustration-Free Packaging, a recyclable, easy-to-open alternative to traditional packaging. Products in Frustration-Free Packaging are exactly the same--we've just streamlined the packaging. A Frustration-Free Package comes without wire ties, hard plastic "clamshell" casings, and plastic bindings. It's designed to be opened without the use of a box cutter or knife and will protect your product just as well as traditional packaging. This item ships in its own box, without the need for an additional shipping box. Learn more about Frustration-Free Packaging.

Keep your nüvi in place with this portable friction mount. It'll keep everything in plain sight when you need it and out of the way when you don't. The arm attachment connects directly to your GPS device, and once you've adjusted it to your liking, locks into place. Avoid the "wing around the windshield" syndrome that accompanies windshield mounts.

Perfect for locales where window-mounting is pr! ohibited or those who simply prefer a quick way to mount/unmou! nt their nüvi/StreetPilot device.

See the difference

Traditional clamshell packaging. Click to enlarge.

Traditional clamshell packaging. Click to enlarge.




Amazon frustration-free packing. Click to enlarge.

Compatible Garmin Models

  • aera 500, 510, 550, 560
  • nüvi 1200, 1250, 1260T, 1300, 1350, 1350T, 1370T, 1390T, 1450, 1490T, 1690, 200, 200W, 205, 205W, 250, 250W, 255, 255W, 260, 260W, 265T, 265WT, 270, 275T, 285WT, 350, 360, 370, 465T, 500, 5000, 550, 600, 610, 650, 660, 670, 680, 750, 755T, 760, 765T, 770, 775T, 780, 785T, 850, 855, 880, 885T
  • S! treetPilot c510, c530, c550, c580, i2, i3, i5
  • zÅ«mo ! 660

What's in the Box
Dashboard mount, arm attachment, and owner's manual


After.Life

  • AFTER.LIFE (DVD MOVIE)
A young woman caught between life and death.. And a funeral director who appears to have the gift of transitioning the dead but might just be intent on burying her alive. Studio: Tcfhe/anchor Bay/starz Release Date: 08/03/2010 Starring: Christina Ricci Liam Neeson Run time: 104 minutes Rating: R Director: Agnieszka Wojtowicz-voslooQuite a few folks in the movies have seen dead people, especially since The Sixth Sense, but After.Life gives this by-now-familiar conceit an intriguing spin. As director-cowriter Agnieszka Wojtowicz-Vosloo's 2009 film would have it, the deceased aren't exactly dead. At least not yet; in the days between whatever killed them and the moment they're put in a box and lowered six feet under, they're caught in some kind of purgatory, no longer alive but still able to move and communicate. Not to everyone, of course; only Eliot D! eacon (Liam Neeson) has the ability, be it a gift or a curse, to converse with these infernal travelers as he readies them for their final rest in the basement of his funeral home. That's where he meets Anna Taylor (Christina Ricci), who died in a car crash following a nasty argument with her boyfriend, Paul (Justin Long). Anna, not surprisingly, is in denial. How can she be dead, when she can still walk, talk, and experience emotions? Well, it's complicated, but Eliot's there to help her sort it all out--that is, unless he's up to something considerably more sinister, a question that remains in doubt even at the very end. After.Life has a cool concept, a good look, an ominous vibe (driven by former Tangerine Dream member Paul Haslinger's relentlessly spacy, downbeat musical score), and some fine performances. But movies like this depend on the rules and boundaries the filmmakers establish. In The Sixth Sense, those rules ("dead people don't know they're dead,! " etc.) are simple and consistent. Here they're a bit more con! fusing. How can the deceased wield a knife, open a locked door, or even make a phone call? If Anna is dead, why can she still see her breath on a windowpane? The willingness to accept such things may well affect one's appreciation of this very absorbing film. --Sam Graham

American Cannibal - The Documentary

Dogville

web log free